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@ -200,7 +200,9 @@ mobilized in 2013, community-based structures and initiatives training
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from the beginning in non-violent civil engagement. The Sudanese
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Professional Association (SPA) showed extraordinary leadership skills,
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however, it was the involvement of civil society that made it possible
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to sustain a decentralized campaign based on non-violent protests. The
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to sustain a decentralized campaign based on non-violent protests.
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The
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collaboration of local groups and trade unions (which always were a very
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strong part of civil society organizations) was particularly noticeable.
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SPA mobilized the people and actively participated in the activities
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@ -451,11 +453,6 @@ The nickname is inspired by the Kushite queen. Her works beautifully and
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harmoniously draw on Nubian traditions and combine ethnic aesthetics
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with modern symbols.
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![‘Kandaka Factory’. Credit: Yasmin El Nour’s aka Kandaka Khronikles. Source: https://www.instagram.com/p/B6gu7tBHds7/](../static/images/roxana/Fig14.jpg "‘Kandaka Factory’. Credit: Yasmin El Nour’s aka Kandaka Khronikles. Source: https://www.instagram.com/p/B6gu7tBHds7/")
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**~~Figure 5: ‘Kandaka Factory’. Credit: Yasmin El Nour’s aka Kandaka Khronikles. Source: https://www.instagram.com/p/B6gu7tBHds7/~~**
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The art piece "Kandaka factory\" emphasizes the
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participation of women in strikes (Figure 5). She traces the women\'s
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ancestry back to the pyramids of Ancient Kush, where she placed the
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@ -468,6 +465,10 @@ and steadfastly ruled the Kingdom of Kush. We cannot blindly accept
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oppressive frameworks but instead carve a path of resistance, in the
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glowing spirit of our female ancestors.*"[^51]
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![‘Kandaka Factory’. Credit: Yasmin El Nour’s aka Kandaka Khronikles. Source: https://www.instagram.com/p/B6gu7tBHds7/](../static/images/roxana/Fig14.jpg "‘Kandaka Factory’. Credit: Yasmin El Nour’s aka Kandaka Khronikles. Source: https://www.instagram.com/p/B6gu7tBHds7/")
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**~~Figure 5: ‘Kandaka Factory’. Credit: Yasmin El Nour’s aka Kandaka Khronikles. Source: https://www.instagram.com/p/B6gu7tBHds7/~~**
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A collage by Mahammed Mahdi shows women in white tobes and modern
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clothes marching with their fists raised in protest and as signs of
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anger. Above them, in the air, as if freed and freely soaring upwards,
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