Update 'content/syllabus/fifthsyllabustest.md'

content/syllabus/fifthsyllabustest.md

@@ -31,7 +31,7 @@ Dziga Vertov was a racy figure, both socially and politically; his artistic body
 
 Before leaping into an analysis of Vertov’s chef-d’oeuvre, it is worth noting that the filmmaker’s name (Dziga Vertov) is an adopted one. Born Denis Kaufman, he assumed the name Dziga Vertov as a tribute to the medium he championed so fervently. “Dziga Vertov, adopted at the very threshold of his working life, is derived from the verb which means to spin or rotate; the onomatopoeia of the first name, as Vertov intimated, reproduces the repetitive sound of a camera crank turning (dziga, dziga, dziga…)” writes Annette Michelson in her introduction to Kino-Eye. [^2] Evidently Vertov believed in the supreme power of cinema, and accordingly changed his name to reflect his worship of the craft. The same spirit of devotion that inspired Vertov in the 1920’s would spur on the famous Cocksmen of narrative pornography’s “golden age” in the 1970’s. Many leading porn actors and filmmakers of this period assumed names that similarly announced a passionate commitment to their métier—Dick Nasty, Long Dong Silver, and Dale DaBone are fine examples of noms de guerre employed in this respect.
 
-![](<vid:https://www.youtube.com/embed/u2RKlDFmui4 style:'width:100px'>)
+![](<vid:http://t2.gstatic.com/licensed-image?q=tbn:ANd9GcR1ZulcRL2UzLfxcqS_dnfOgQW5lNl-f0GTL4O2U1SE9XNH0jR4kEUh9EY79VsR style:'width:100px'>)
 
 Though much of Man with a Movie Camera’s blatant sexual impulsiveness is not until much later on, an early sequence foreshadows it all quite palpably. A mere 10 minutes into the film we see a young woman rise from bed, put her stockings on, and turn away from the camera while removing her nightgown. In close-up, the camera studies her back as her hands reach around to fasten a brassiere. Cutting back to a wider shot, we see the woman standing only in her underclothes and stockings before she pulls on a slip. Vertov immediately cuts away to a close-up of the Movie Camera as a man’s hands hastily remove a short, wide-angle lens, and replace it with a markedly longer, telephoto one. This erection is quite pronounced, and indeed well warranted! Showing a woman dressing is more seemly and less lurid than showing a woman undressing, but is it any less sexy?