diff --git a/content/article/essue1_1.md b/content/article/essue1_1.md index ba68c5b..daab897 100644 --- a/content/article/essue1_1.md +++ b/content/article/essue1_1.md @@ -21,7 +21,7 @@ In a very satisfying turn, the video's author uses as an example the legendary [ Just by breaking out of the habit of conditioned ways of thinking and perceiving the purpose of things, radical new cultural movements emerge. This is precisely what lurks behind most electronic dance styles, as at the point where a turntable or a drum machine is no longer seen as a playback device or a metronome, they can become their own instruments entirely. -[Mille Plateaux](www.facebook.com/milleplateaux1) engaged in this kind of project, turning non-arborescent thought towards the glitch. They saw glitches as the non-signal, the signal that was valid in every way, but received as not-correct. Yet, by removing this predisposition that caused the glitch to be perceived as distinctly not "correct" (i.e by no longer looking at the glitch as a malfunction or a problem, a mistake), a new radical world emerged. +[Mille Plateaux](https://www.facebook.com/milleplateaux1) engaged in this kind of project, turning non-arborescent thought towards the glitch. They saw glitches as the non-signal, the signal that was valid in every way, but received as not-correct. Yet, by removing this predisposition that caused the glitch to be perceived as distinctly not "correct" (i.e by no longer looking at the glitch as a malfunction or a problem, a mistake), a new radical world emerged. The exploration of glitch in the 90s and 2000s may have been one of the last major bursts of newness in Western cultural history. As we explored in Issue Zero of Becoming Magazine, through the work of Simon Reynolds and Mark Fisher, after this time, attention turned to nostalgia and retromania, and there has been an immense stagnation in cultural change: "the 21st Century is just the 20th Century transmitted on high-speed internet" [source](https://www.youtube.com/watch?v=aCgkLICTskQ).